Monday, February 7, 2011

David Pettibone @ Dacia Gallery

Clarence With Mountains, by David Pettibone, Oil on Canvas, 64" x 96"


Premonition

February 3 - March 6, 2011


Opening Reception: Thursday, February 3rd

6:00-10:00pm

Meet the artists at opening


Dacia Gallery is pleased to present “Premonition” a Group Exhibition juried by Natalie Tyler, an artist internationally known for her bronze sculpture and Marco Beria, painter, curator and owner of OJO Gallery.


FEATURED ARTISTS

Rachel Burgess

Elizabeth Glaessner

Heather Morgan

David Pettibone

Edina Seleskovic

James Stamboni

Julianne Sterling



Click here for more exhibition information








Saturday, January 22, 2011

'Solo' by James Edwin Hall


'Solo'

by James Edwin Hall

Curated by Sharon R. Reaves, Reaves Gallery

Opening Reception: Saturday, February 5, 6-10pm


On View: February 5-23, 2011


By appt only: 415-250-3201
Email:
sharon@reavesgallery.com

Artist Website:
http://www.jamesedwin.com

Image: Filius. Digital archival print. 16"x20". 2009

Reaves Gallery is pleased to announce the opening of “SOLO” on Saturday, February 5, 2011. This solitary exhibition features the photography of James Edwin Hall on view through February 23rd.

James Edwin works in street settings, concentrating his efforts in high pedestrian environments. Working with variety of formats (digital, 35mm, and medium format TLR (Twin Lens Reflex)) he is able to create timeless pieces that ensure concentration on the subject and build the integrity of the work.


The timeless appearance is reinforced by the artist’s continuing efforts in cities from the West Coast to Western Europe. Having collected images from San Francisco to the Bible belt of the South, Tennessee, to the archaic scenery of the United Kingdom, the artist frames a plethora of individuals. This breadth of study further enforces the validity of his humanistic theories.

Lastly, all of the imagery put together for the show is of candid nature. By shooting fr
om the hip, sweeping his camera up before a subject’s face, and even concealing his focus with his TLR, the artist maintains the integrity of the human expression.

James Edwin Hall was born and raised in the United Kingdom in Manchester. He moved to the United States at age 11 to the state of Tennessee. He received his education at the University of Tennessee, where he graduated with a B.A. in Studio Arts with a concentration in photography.


He has been living in New York since 2008 continuing his photographic candid street portrait series and seeking inspiration for his continuing abstract figurative paintings. He works and lives in Brooklyn.

His work has been exhibited in galleries in Tennessee and New York, including the 2007 ‘Elixir’ show at the EWING Gallery in which he won Best Undergraduate Entry for his work. His work has also been featured in the Phoenix Literary/Arts Magazine, and online in BBC’s Portrait of Great Britain.

The opening reception for “SOLO” will take place from 7-10pm on Saturday, February 5, 2011 at Yashar Gallery, 276 Greenpoint Avenue, Bldg. 8, Ground Floor, Brooklyn, NY 11222. The exhibition will run through February 23rd.


Yashar Gallery
276 Greenpoint Avenue, Bldg. 8, Ground Floor

Brooklyn, NY 11222


Thursday, January 13, 2011

Prince George Art Show opening night party...



From Time Out New York...

Prince George Art Show opening night party

Critics' Pick

The Prince George
Friday, January 14, 2011, 6-9pm
15 E 27th St (between Fifth and Madison Aves)
(212) 471-0870
Subway: N, R, 6 to 28th St
Get directions


Drink, schmooze and peep the work of such contemporary talents as David Pettibone (artwork featured above) and Michael Alan at the soiree. You can also take in some awesomely bizarre performances; watch as topless ladies draw using only their toes, and artist Valmonte Sprout creates paintings with Crayola crayons that she’s chewed up.

Tuesday, January 4, 2011

Cupcakes and Concrete: Paintings by Brinn Flagg



Nanny Extraordinaire, 2010, Acrylic on paper, 33 x 50 in.


Cupcakes and Concrete
New paintings by Brinn Flagg

On view: January 7- 26, 2011


Opening reception: Friday, January 7, 6 – 9 PM


Imagine being a mother, day in and day out, at 23 years old and the child is not yours. Brinn Flagg has done just that for a year and a half now. With her job title as nanny, she has painted portraits of herself and a child that has shared specific experiences with her. She works from multiple photographs to create her compositions, while also establishing imaginative settings to enliven the difficult or frustrating times. A tense or challenging situation can be made humorous, whimsical, or playful when unique settings are created for the paintings. The narratives relived in the work are seen as her quest to exaggerate a mood through color, pattern and cool fashion.

The paintings on exhibit at Yashar Gallery are a reaction to being a full-time nanny, since graduating college. They explore the emotional undertaking in caring for an infant, not being able to meet new people and dealing with lack of creativity in the job. Coming to terms with the job, the strife has now informed the work. The inventive settings and fanciful outfits have invoked a comical outlook on the role of "surrogate mother". 'Cupcakes and Concrete' is a new series of paintings based on making light of the struggles people her age face. Brinn Flagg's paintings have been exhibited in group exhibitions in galleries throughout the United States and abroad, including the Ise Cultural Foundation in New York; the Copley Society of Art in Boston; the Turchin Center in North Carolina; and the Galleria Sotoportego in Venice, Italy.

Ms. Flagg is the recipient of numerous awards and honors. She received a fellowship to the Vermont Studio Center and was published in Studio Visit magazine. She lives and works in Greenpoint and has recently left childcare to pursue other goals.

Yashar Gallery
276 Greenpoint Avenue, Bldg. 8, Ground Floor

Brooklyn, NY 11222


Contact:
Brinn Flagg

914.715.0993

brinn.flagg@gmail.com

http://www.brinnflagg.com

Friday, December 24, 2010

Sunday, December 5, 2010

Inevitable Futures Press Release


***FOR IMMEDIATE RELEASE***

Inevitable Futures

On view: December 9-29, 2010

Opening Reception: December 9, 6-9pm

Yashar Gallery - 276 Greenpoint Avenue building 8 ground floor, Brooklyn NY 11222

Encountering David Sena’s works is much like discovering a mystical document, a map pointing to the reason for human existence, or rather the outer limits, the infinite, the space not yet grasped. In the midst of voids, of what once was, and what has been removed by flame, is the substance of being. The work in Sena’s “Inevitable Futures” is mostly figurative, strictly speaking, but what these ‘drawings’ capture is at once fleeting, difficult to grasp in the very least, and infinite—death, galaxies, and the Higgs’ boson, i.e., ‘the God particle.’ Yet, taking in Sena’s work here is reminiscent of laying back upon the solid earth, damp and fragrantly fecund and looking into the fabric of the night sky and seeing layer upon layer of stars and grasping with that perspective what it is to be a tiny blip of humanity in the infinitely tiny moment of now. What is existential and massive becomes intimate and tangible in Sena’s work, the mark of fire transforms paper and the viewer into an infinite being, proof that art can transfigure, and enlighten.

Time and space are recurring tropes in Sena’s work—two concepts that are often used to ascertain if something is real. Does it exist? Do we exist? In what reality do we exist?

One feels as though the fabric of time is shifting as one examines Sena’s work, a vertigo is evoked, an existential crisis is inspired and we are transformed by looking into the abyss of the infinite. There is comfort in the nothingness, as we come to know voids intimately. Death is always looming but so is the possibility of something beyond it. There are the spaces between us that we navigate physically and theoretically and importantly, the potential of connection and understanding held within those vessels of nil, nothingness. To know our outer limits, to map where we end and infinity begins is a promise of safety, a connection to divinity, which is surely all that is unknown but glimmering at us faintly, just beyond our technology, our mental and spiritual faculties’ grasp. The questions that drive us have never been rendered so beautifully as in Sena’s work. To think the charred edge of a circular hole in paper could bring us closer to the divine—truly, there is magic in this art.

-Emily Basa Besa

INEVITABLE FUTURES will be on view by appointment December 10 -29, 2010. To schedule an appointment or for more information please contact

David Sena: senaspace@gmail.com 1-917-554-4299

Inevitable Futures by David Sena



Inevitable Futures
by David Sena
On view: December 9-29, 2010

Opening Reception: Thursday December 9, 2010, 6-9pm

music by Drumone, Lenny Posso


After Party Sponsored by Ketel One Vodka to be followed by RSVP only
8-11pm RSVP to senaspace@gmail.com

Yashar Gallery
276 Greenpoint Avenue, Building 8 ground floor, Brooklyn, NY 11222

Subway: G to Greenpoint Ave. Stop. Walk east on Greenpoint Ave. just
past Newel St. on right

Driving: BQE to McGuiness, exit 33. Follow McGuiness to Greenpoint
Ave. turn right Yashar Gallery is 2 blocks on right between Newel and
Jewel St.