Wednesday, December 11, 2024

 YASHAR GALLERY

CLAY SPACE RESIDENT ARTIST SHOW


  


2024 Centered in Equity Residency Show - a/d gayle, Maya Pritchard, Monty J.


December 13, 5-9pm, opening reception

Yashar Gallery 276 Greenpoint Ave, Brooklyn, NY 11222

Contact: Janine Sopp, Director  tel 718.383.5400
Email: residency@clayspacebk.com

For up to date information, visit our blog



Clay Space ceramic center in Greenpoint, Brooklyn will present an exhibition of its first residency cohort from the 2024, Centered in Equity residency program entitled, US, opening on Friday, December 13 from 5-9pm. The group show will remain on view until December 23 at the Yashar Gallery, 276 Greenpoint Ave., Brooklyn, NY. 


Resident artists include a/d gayle, Maya Pritchard, Monty J, who will show their current work as a group from December 13-23 with an artist panel discussion on December 14th from 6-7.30pm. Solo artist shows will follow and provide the time and space for each artist to present their individual work and works in progress and allow for a more personal viewing and conversation with each artist.


ABOUT THE RESIDENT ARTISTS


a/d gayle - Artist Statement

a/d’s solo show is January 3-8


a/d gayle (They/Them) is a native New York multidisciplinary artist and educator currently exploring: boundaries, the in between, and the limits of the human mind.

The work in this upcoming exhibition is the result from the exploration of a few related ideas. The patterning of nerikomi and shattering of the clay, along with storytelling in the format of comics, results in these sculptures somewhere between cave paintings and windows.


“Some of these works loosely follow the story of Sam, a character in a novel I’ve been writing for the last few years. These pieces begin mid odyssey with Sam determined to end their own life. However these plans are interrupted upon meeting a shadow, who eventually joins the journey through this flux of: life, time, space, and everything else that makes up our reality. What will happen?”


a/d explains that works made of Clay have a particular relationship with our understanding of time. In these works, sometimes they use up to 8 clay bodies, with some clays having been formed millions of years ago and dug up recently, while others were mixed up in a studio lab yesterday. These relatively thin slabs that end up as the ‘ground’ (in all of its meanings) have been pushed to a limit and like sam, just might break. They contemplate, “Folding clay, folding time and space is what they’re interested in. Can our ‘ground of being’, fissure like from an earthquake?”



Maya Pritchard - Artist Statement

Maya’s solo show is December 30-January 3


Maya Pritchard is a native Brooklyn-based multi-media artist and educator whose work explores textures of naturalism and themes of feminine alchemy. Through the practice of hand-building, she creates sculptural forms that focus on functionality and craftsmanship. In this, she aims to create pieces that can be used as tools for personal and collective reflection. 


For these works, Maya comments on themes of ritual feminine identity as symbolic objects, in response to changing reproductive rights and environmental degradation. With much of her approach to technique coming from a place of reverence to the material as a living, breathing collaborator, she illustrates this through the austerity of rhythmic finger marks and asymmetry. 


Beyond her studio practice, Maya is deeply committed to community engagement through art education and healing modalities. She leads workshops that combine pottery techniques with cathartic practices, creating safe spaces for expression and dialogue.



Monty J - Artist Statement

Monty’s solo show is December 26-30


Monty J is on a quest for balance and harmony. As his work expresses itself through multiple materials to find a voice in harmony in combination with multiple materials that would not normally be combined.


Monty J’s work is based on challenging norms with clay, its journey and venture, and a search to confront sculptural ceramic and clay norms. All of the pieces are slightly off balance to create motion and tension. He’s playing with controlled freedom and looking for as many options in between point a and b, seeking to maximize every angle to failure. 


Monty relies on this visual language, always adding to the clay and expanding, seeking multi-dimensionalism and stretching the clay across dimensions. His work insists on giving the viewer an experience with each piece through the balance of mixed medium.

An Artist Talk with the Resident Artists will be moderated by fayola on Saturday, December 14th from 6-7.30pm

fayola  – Artist Statement

fayola is a Black, queer, non-binary ceramicist, educator, community organizer and dj from Jamaica, Queens, currently based in Brooklyn. My ceramic work is a love letter to my identities, a way to bring forth queeribbean history and culture, as situated within the larger African diaspora. The exposed coils that I handroll are a tangible way to make visible the labor of Black women and femmes across history, challenging conventional narratives of misogynoir that attempt to obscure our work and contributions within larger society. 

The Centered in Equity Residency program was created in 2024, stemming from the belief that artists need and deserve to have the ability to access the ceramic facilities, materials and time to exercise this fundamental right.


Created as a braintrust of current members, instructors and staff, we recognized the financial and systemic implications in the ceramic industry that disproportionately affect the lives of Black, Indigenous, Latinx, and Asian, Pacific Islander ceramic artists. As such we are currently centering the experiences of Black ceramicists, due to the type of discriminatory practices and beliefs that have historically and systematically limited the experiences of Black ceramicists.


This program is in formation and is developing organically to reflect the needs and requests of the resident artists. Contact residency@clayspacebk.com for more information.

Monday, November 11, 2024

 

UPCOMING AT YASHAR GALLERY

 

 

 

All Over Everywhere is an immersive, sculptural installation by Jody MacDonald presented as a
work-in-progress at Yashar Gallery in Brooklyn, New York.

All Over Everywhere
November 14–December 4, 2024
Open House Weekend: Saturday/Sunday November 16/17, 1–6pm
Reception and Artist Talk: Friday, November 22, 6–9pm
Closing Celebration: Wednesday, December 4, 6–9pm
Yashar Gallery
276 Greenpoint Ave
Brooklyn, NY
Gallery Hours: Wed–Sun, 1–6pm or by appointment (347-593-9001)


Consisting of one thousand, 10-inch-tall bat/human textile figures set within an immersive
diorama, All Over Everywhere presents a miniature greyscale New York City tableaux that
explores ecology, war, pandemics, social divisiveness, and democratic decay.
The work is a combination of fine art and craft materials and techniques that has been over a
decade in the making. Inspired by the 2006 outbreak of White Nose Syndrome (WNS) in New
York State—a deadly fungus affecting bat populations that has led to a demise of 70-100% of
colonies—the installation is a meditation on the folly of a society on the brink of extinction.
WNS is highly contagious and affects bats by rousing them from hibernation. This abnormal
activity burns through their energy stores and without sufficient food available, leads to shocking
numbers of bats starving to death.
When MacDonald first learned of WNS she began imagining what darkly comedic activities the
bats might engage in upon waking up to find no food and wandering about trying to fill their
days.
The result is an installation disturbingly parallel to our own reality, where viewers who invest
time investigating the many minute details are rewarded with complex and layered stories that
both delight and dismay.
* * *
All Over Everywhere features bat-human hybrid figures set within a greyscale patchwork of New York City places that no longer exist and are presented in three stages of White Nose Syndrome:
pre-infection (still hibernating), post-infection (dead), and currently infected (awake). Grouped
into tableaux these “woke” bat/humans act out satirical yet poignant narratives inspired by
current politics, contemporary society, pandemics, and the ongoing demise of ecology and human rights.

Created through labor-intensive hand and machine sewing and constructed from unbleached
muslin, the figures are stuffed with polyester fiberfill and internally wired for pose-ability.
Detailed, miniature accessories are obsessively crafted and present clues to layered and complex
storylines.
Multiples of these miniature accessories are peppered throughout the installation: cellphones,
protest placards, assault weapons, and satirical newspapers. The newspapers, found in almost
every tableau, are a merging of factual information and fictional advertisements. Read
collectively, the headlines of these mini periodicals serve as a de facto artist statement that
reveals the background story of the installation.
A nod to old-school architectural model-making, the minimal, modular structures of the
shelf-like environments that the figures inhabit are created using humble materials: foam board,
mat board, glue, and paint. Built around sheets of small-cell Styrofoam insulation, the shelves
provide an ideal base to affix the figures and pose them in a myriad of ways, magically activating
the space with their antics.
This presentation features both elements that are completed and elements that are in progress.
MacDonald will continue to work in the gallery during the run of the exhibit, adding to the piece
and allowing visitors a behind-the-scenes experience of installation art.

****

This project has been supported in part by the New York State Council on the Arts (NYSCA),
sponsored by Long Island City Artists (LIC-A). Through New York State’s continued investment
in arts and culture, NYSCA has awarded over $80 million since Spring 2023 to over 1,500 artists
and organizations across the state

Thursday, October 17, 2024

 YASHAR GALLERY

UPCOMING


project:object

works by

riNa s. young


October 19 -November 6

Opening Reception 

October 19 5-8 pm




Thursday, September 26, 2024

YASHAR GALLERY EXHIBITION

 

RESIDENT ARTIST LAURA SCHNEIDER  

&

GUEST ARTIST JENNIFER WASSON 

 

once removed 


OPENING SEPT 28TH 5-7PM 

 



Thursday, September 5, 2024

UPCOMING AT YASHAR GALLERY

 

wild


 NEW WORKS BY

McKenna Van Koppen

opening SATURDAY SEPT 7..... 5-9PM


 

 

 

Monday, July 29, 2024

YASHAR GALLERY


TRACING NEW YORK

 paintings & prose on finding home in NYC

 

Opening Wednesday July, 31 2024 6-8pm




 

Thursday, July 4, 2024

Next at Yashar Gallery!


"Paul [Choate] has been experimenting with machines and automation for years. For his debut show, Pixels and Paint, he is using a CNC machine as a painting tool. 

For the first time, Paul is showing how the process in which the CNC machine interprets pixels that make up an image and takes on pointillism. The machine and Paul have equal agency over how the painting turns out. Paul decides on the subject the machine interprets it."

Pixels & Paint

Friday, July 12, 6-8pm

Saturday, July 13, 6-8pm

Closing Wednesday, July 17, 6-8pm 

Private viewings available: @choatestudio

Sunday, May 26, 2024

Next at Yashar Gallery!

 Return to Motherland: Mixed-Media Art by Carla E. Reyes and Jill Danenberg 

On view at Yashar Gallery, June 1 - 19, 2024 


Two artist-mothers revisit the maternal, eternal cycles of life in Return to Motherland. Yashar Gallery is pleased to once again present the work of mixed-media artists Carla E. Reyes and Jill Danenberg as they continue to explore the vast and turbulent terrain that a mother inhabits from childbirth through old age. The exhibition opens on June 1st, 2024, coinciding with  the neighborhood-wide Greenpoint Open Studios weekend event. Reyes and Danenberg join forces from different stages of life to contribute to the frontier of contemporary artwork examining Motherhood through the hands and hearts of the Artist-Mothers themselves. 


Reyes, a Queens based Colombian/Italian-American artist and educator, is a full-time working mother of two young children, trying to make space for her creative life and identity. The panels she paints are overwhelmed with color, texture, and endless, repetitive care-taking activities. Only glimpses of the mother herself appear in these scenes; the viewer experiencing the often humorous, sometimes bittersweet moments from her daily routines. Her highly textural work straddles the line between sculpture and painting, and explores the interaction between the person-made and natural worlds. The artist will also have her studio doors open for the weekend where previous bodies of work will be on view.


Danenberg, a Bronx based artist, is the mother of two grown kids with lives of their own. She explores their relationship by  both examining nature (how much is wild, what is predetermined) and cartoons. She additionally collaborates with her own artist-mother, experimenting with silkscreen and digital collage; recalibrating their relationship through their art. Danenberg was an advertising creative director when a head injury interrupted her career. She turned to art to make sense of her life and often uses humor to approach serious discourse. 


Return to Motherland will be on view from June 1 - 19, 2024 at Yashar Gallery. Yashar Gallery is located minutes from Manhattan in the urban art community of Greenpoint, Brooklyn. Yashar Gallery opened its doors in April 2010, and hosts monthly rotating exhibitions featuring the professional artists from Brooklyn Art Studios in the Greenpoint Industrial Center. Visit http://www.brooklynartstudiosnyc.blogspot.com for Yashar Gallery’s exhibition schedule and updates, map/directions, and to learn about the artists of Brooklyn Art Studios. Greenpoint Open Studios will take place the weekend of June 1-2, 2024. https://greenpointopenstudios.com/



Return to Motherland: Mixed-Media Art by Carla E. Reyes and Jill Danenberg 

On view: June 1-19, 2024

Opening Reception: Saturday, June 1st, 3-5pm

Closing Reception: Wednesday, June 19, 2024, 5-7pm

Greenpoint Open Studios Viewing Hours: Saturday and Sunday, June 1-2,12pm-6pm

Additional Viewing Hours: Saturdays and Sundays 2-5pm and by appointment 

Questions/Press/Appointments: brooklynartstudios@gmail.com